Diablo Cody Net Worth 2023: Is Still Writing About Difficult Women
Diablo Cody is the pen name of American author and producer Brook Maurio (née Busey; born June 14, 1978). The memoir she kept online, Candy Girl: A Year in the Life of an Unlikely Stripper, made her famous (2005). Juno (2007), Cody’s first screenplay, was nominated for and won multiple awards, including the Academy Award, the BAFTA, the Independent Spirit Award, and the Writers Guild of America Award for Best Original Screenplay.
Diablo Cody Net Worth 2023
Diablo Cody has a net worth of $10 million and is an American screenwriter, playwright, producer, and director. Diablo Cody initially came to prominence as the author of “Juno,” which received the Academy Award for Best Original Screenplay and was released in 2007.
Diablo also produced and directed “Paradise” (2013), as well as writing the screenplays for “Jennifer’s Body” (2009), “Young Adult” (2011), “Paradise,” “Ricki and the Flash,” and “Tully” (2018). Cody is the creator, writer, and executive producer of the shows “United States of Tara” (2009–2011) and “One Mississippi” (2015–2017), both airing on Showtime, and “Childrens Hospital,” airing on Adult Swim (2010).
Diablo Cody won the 2019 Tony Award for Best Text of a Musical for his work on the book of “Jagged Little Pill,” a musical based on the songs of Alanis Morissette. Candy Girl: A Year in the Life of an Unlikely Stripper was Diablo’s autobiography, released in 2005.
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When Diablo Cody Was Too Punk For The Oscars?
Most of the cameras at the Oscars are focused on the actresses. As expected, the Academy has a difficult time nominating women in non-gendered categories. Only five people have won an award for directing, but the number of writers who have won is slightly higher.
Only 16 women have won an Oscar for either writing an original screenplay or adapting an existing work in the past 90 years. Diablo Cody is one of these women; her background story seems just as surreal as her award-winning work, the teen comedy Juno.
Juno (Jason Reitman, 2007. Guión: Diablo Cody)
Amante del punk de los 70 y las películas gore, Juno no es la típica nada. Sin complejos, sin etiquetas y con teléfono hamburguesa. pic.twitter.com/WNoFo2y9dI
— Scarlew Harzac (@ScarlewHarzac) March 8, 2018
Diablo wore a long, flowing Dior leopard-print gown with a high slit to the Oscars, accessorizing with gold flats and a huge skull earring, which probably didn’t surprise anyone who knew her. (Flats! A cranium!) Diablo was both celebrated and viciously mocked during the award event because he was so authentic.
Diablo, whose given name is Brooke Busey-Hunt, is a prominent feminist figure whose origin story is fascinating. She left her work as a copy typist in Minnesota to pursue careers as a stripper and a blogger before settling on screenwriting.
Diablo Cody Is Still Writing About Difficult Women
In the ten years since the release of Juno, Diablo Cody has become a cultural phenomenon. Rare among Hollywood screenwriters, Cody found herself at the heart of talks about her first feature film, which captured timeless coming-of-age themes while also provoking debate about controversial issues like abortion.
Her public image initially threatened to eclipse the films she was attempting to make because of her outspoken and unconventional manner. Nonetheless, Cody’s work, from Juno to her most recent picture, Tully, speaks for itself, provided the viewer is receptive.
Maggie Kiley (Riverdale, Chilling Adventures of Sabrina) will be directing 'The Powerpuff Girls' live-action series.
Heather Regnier (Veronica Mars, Sleepy Hollow) and Diablo Cody (Juno, Jennifer's Body) will be writing the script. pic.twitter.com/U3ejCzGe1R
— Pop Crave (@PopCrave) March 9, 2021
It seems appropriate to reflect on seminal moments in Cody’s filmography and how they represent the themes that seem to persist throughout her work in light of the recent release of Tully. Cody’s work, in particular, stands out at a time when there is a growing focus on the history of women’s voices in Hollywood and the elements that have shaped them.
Although the racial diversity of her films and TV shows like One Mississippi and United States of Tara should be better, Cody has provided her share of complex and challenging female characters.
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